Putting your money where your mouth is

Tonight I’m venturing over to the Renwick Gallery for the opening of an artistic collaboration that I am very excited about: that of Genesis Breyer P-Orridge and Daniel Albrigo, entitled Putting Your Money Where Your Mouth Is… A Love Story. Daniel is a tattoo artist based out of my favorite NYC tattoo shops, NY & Brooklyn Adorned, and Genesis is best known for his music and performance in Throbbing Gristle (who recently toured, with a stop in Brooklyn) and Psychic TV.
As our friend Marisa over at Needles and Sins writes:
Genesis and h/er late wife and other half, Lady Jaye Breyer, began a project in 1993 to transcend “body-based genders- and socially imposed identities,” thereby creating Breyer P-Orridge. Maxwell G. Graham sums it in the exhibition’s release: “…their two identities were merged through plastic surgery, hormone therapy, cross dressing and altered behavior in an effort to deconstruct the fiction of the self, each moving to resemble the other. Breyer P-Orridge, the cross-pollinated name of this endeavor, has continued even after Lady Jaye’s untimely death in 2007.”
In tribute to Lady Jaye, Daniel and Genesis join to tell a love story in painting, sculpture, photo-works, assemblage and jewelry.
The show and title is derived from the set of solid gold teeth that Genesis had installed to replace all of he/r original teeth. There are paintings documenting the casting process, as well as portraits of Genesis by Albrigo, sculptural objects, assemblages, and jewelry. I’m fascinated by this collaboration, not only due to my interest in art that’s a little outside the mainstream, but also due to the great love that motivated the project.
The opening is tonight from 6-8 PM at the Renwick Gallery in SoHo, located at 45 Renwick Street between Spring & Watts. There will also be a closing reception on February 22nd.




AIGA (American Institute for Graphic Arts) is extending their annual
Later on, it was off to Williamsburg for dinner at Walter Foods– a deliberately anti-Oscar activity. It was empty when we arrived around 7:30 PM, but diners slowly trickled in, other Academy Awards ignore-ers that seemed to share a bond of cheery indifference for the glitzy trappings of Tinseltown, and when we left almost three hours later the place was about 3/4 full.
